Captain Noah and his Floating Zoo
(and much more!)

St James Church, Dursley, Saturday 16 September 2006

The church of St. James the Great in Dursley welcomed the Cappella Singers on Saturday, September 16th.
The concert, in aid of the church restoration fund, attracted a good audience, especially some younger members. After two early motets by
Guerrero and Lobo, the singers then performed a beautiful composition of Beati Quorum Via written especially for them by Mark Blatchly – a long term supporter and friend of the choir – in memory of Ruth Worsfield, an alto who recently died of cancer. Having got into their stride, the choir sang two madrigals by John Ward and Thomas Tomkins.
Then came a group of spirituals. The performance of Shenandoah left the audience spellbound, the overlaying voices perfectly moderated and controlled for such a haunting piece. The layering of voices continued in an arrangement of three spirituals sung at the same time – a Quodlibet, in which the audience clicked and clapped to the beat. Two more spirituals, equally well and sensitively sung, ended the first half of the concert. The audience, settling down for the second half (many with wine glasses still in hand), were jolted awake by thunder and the “Voice of God”. Special effects introduced a dialogue between God and Noah, by Bill Cosby, telling Noah to build an Ark. This was followed by the exciting Captain Noah and his Floating Zoo, by Michael Flanders and Joseph Horovitz. It had everything: a trio of bass, percussion and piano, brilliantly played by Peter Martin, Mark Coldrick and Andrew Gunning. Unfortunately, they were obscured from the audience by the pulpit. The story told of how Noah, sung ably by Geoff March, built the Ark and filled it with all the animals, before the coming of the flood. The rhythms of the piece alternated rapidly from rocking three/four time to jazz beat and marching time. The singers and audience all enjoyed this immensely, especially the younger members of the audience. The contrast of the ladies’ sensitive rendering of Sondheim’s “Send in the Clowns” calmed us all down before the final Rhythm of Life set our feet tapping again.
The contributions of readings by
Frankie March, Peter Farley and Vernon Harwood added a third dimension to the programme, linking the themes of the music.
Philip Colls has pulled it off again, widening the repertoire of the choir - a challenge they all fulfilled.
JG
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The Cappella Singers: Registered Charity no 262530